The van that takes her from site to site is her conveyance it is also her home - one she baptizes “Vanguard.” Like any home, Fern customizes it. Already vulnerable, the family is now dangerously exposed.Ĭolumns are opinion content that reflect the views of the writers. And it’s a shelter that seems to grow more tenuous as the film proceeds: a heavy storm reveals many leaks as a newscaster appears on a staticky TV set to warn of possible tornadoes. Inside, she is greeted by visions of frayed wallpaper and wood paneling, with drop ceilings blanketed in industrial acoustic tile. “This isn’t what you promised,” she says to her husband, Jacob, played by Steven Yeun. “Look, wheels!” the kids helpfully exclaim as Monica, their mother, portrayed by Yeri Han, looks on in horror. Its lack of skirt siding reveals the mechanism by which it was towed into place. Instead, the camera settles on a wheezing, putty-colored mobile home. In the middle of that isolated field sits the couple’s future house, which is neither a brightly painted country farmhouse nor charming log cabin. Images of bucolic landscape hugging a country lane give way to an open field. The first time you see Jacob and Monica’s house in “Minari,” it’s from the vantage point of a moving car.
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